Musings on music and meaning

Sometimes, when I’m editing, I come across an author’s humongously long sentence which rambles on and on—often, so the authors tell me in insouciant comments when I express my concern, because they are imitating the apostle Paul who, after all, wrote excessively long sentences like the famous one at the beginning of his epistle to the Ephesians which is 202 words in length and has such a complex structure that it is actually able to be interpreted more than one way—and when I suggest that paragraph–long sentences are inappropriate in the age of Twitter, they baulk at the thought.

The publisher I work for, however, is delighted. He uses my remark about the age of Twitter to try to get his more verbose authors to see reason. It doesn’t always work. A pity. Because authors who have a significant message are not being given a chance, due to their resistance to cutting the words into bite–size chunks. Communication is important, in whatever age. Since today’s Christians have no idea what 202 means, it’s pointless having such a long sentence. Still I have seen sentences as long as 140 words; they make my effort of 101 words in the first paragraph look a bit puny.


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Here is Love

One evening in church a little while back, I got distracted while singing one of the choruses. My eyes happened to light on the final words of an unfamiliar hymn on the opposite page: And heav’n’s peace and perfect justice kissed a guilty world in love.

Hmm, I mused. The ‘suspicion’ switch turned on in my head.

If I’m not mistaken, I thought, those lyrics are a reference to Psalm 85:10. I immediately began to wonder about the age of the hymn. There was nothing helpful on the page except the composer’s name, William Rees, along with two verses:

Here is love, vast as the ocean,

Loving-kindness as the flood,

When the Prince of Life, our Ransom,

Shed for us His precious blood.

Who His love will not remember?

Who can cease to sing His praise?

He can never be forgotten,

Throughout heav’n’s eternal days.

 

On the mount of crucifixion,

Fountains opened deep and wide;

Through the floodgates of God’s mercy

Flowed a vast and gracious tide.

Grace and love, like mighty rivers,

Poured incessant from above,

And heav’n’s peace and perfect justice

Kissed a guilty world in love.

 

It looked old. But not that old. It lacked a telltale thee or thou. Still those apostrophes were hopeful signs.


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Names and Wonder

My garden has never been the same since the drought of three years ago. The flowers wilted and the rose bushes died and, although we’ve had a flood of rain since, I’ve never got around to replanting them.

One surprising survivor is a cluster of storm lilies that comes up every time there’s a sunshower. A soft blend of translucent cream and lilac, they are—unfortunately—rarely there more than a day. They epitomise to me the wonder of life in all its transience, fragility and beauty.

I have a serious addiction to wonder. It’s probably the reason I’ve never outgrown that child-like asking of, ‘Why?’ Sooner or later, that is the question which leads to a moment of spellbound awe. CS Lewis admitted to the pursuit of joy; for me, it’s wonder.

It was Martin Luther who said, ‘If you truly understood a grain of wheat, you would die of wonder.’


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DESTINED WARRIORS – INTO THE UNSEEN
Julia Caroline Gollasch
VMI Publishers

Unlike many people I know, I consider allegory and fantasy to be different—cousins but not twins. I love a good fantasy but I cordially dislike allegory. So, consider this fair warning!

I don’t understand why some people like The Pilgrim’s Progress so passionately. It’s too serious, too plainly didactic. It’s like an undressed parable. It’s been stripped of the cloak of mystery that a parable wraps around itself, it’s been shorn of subtlety and generally misses both humour and irony. Perhaps that’s an unfair assessment. But that’s the way it comes across to me.

Fantasy can also be very earnest in tone but in general, it has the shifting light and shadow of a fairytale. The kindly woman by the wayside may turn out to be a witch or a warrior. In allegory, such uncertainty is rare. One thing you can be sure of: both Faithful and Giant Despair will live up to their names.


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